I started yesterday by telling you about one of the two aspects that affects Shelter’s milling process: fleece dying and color blending. The second quality that significantly affects the process is its preparation as a woolen-spun yarn. Woolen-spun yarns, unlike their smoother worsted-spun cousins, are prepared using a process called carding.
We left off in our last post with a mish mash of loud-colored wool going into the Picker. Once the Picker has done its work, the wool gets loaded onto the Carder: a giant machine with several rolling cylinders covered in metal teeth. The purpose of this machine is to open up the fiber, blend the wool together evenly, and prepare it into individual plies of roping which will be later spun into yarn. You’ll notice right away that the carder has already whipped our bright wool confetti into shape, producing an even, golden heather.
Unlike combing, which occurs during worsted-spinning, carding allows large amounts of air to be trapped within a cloud of slightly jumbled fibers. These tumbleweed-like layers of wool allow for a loftiness and springiness that will translate into the behavior of the finished yarn. The carded fiber emerges as a ‘web’ halfway through its carding process; the wool at this stage looks incredibly beautiful and delicate, like a gentle veil of color floating through space.
If the fiber was being prepared for handspinning, it could be taken off the machines at this stage in batting form. Below is a box of freshly carded grey fiber that wasn’t spun beyond this point. If you could reach your hand in here, you’d be amazed at how soft and fluffy this stuff feels. You might want to set up camp inside of this box.
As the fiber approaches the end of the carding machine, a large cylinder called the doffer is used to relay the bat into the final section of the machine, where it is split into several individual ropings (the term “roping” is specifically used to describe this stage in woolen spinning mills, versus the more commonly known term “roving” which is used in a worsted spinning processes.) These fine strands of roping will make up a single ply in every spun yarn, but as yet have no twist in them. If you’ve ever knit with an unspun icelandic yarn before, the plies at this point have a similar appearance.

The unspun roping strands mark the conclusion of the carding process. When a batch of roping cakes are ready, they are removed from the Carder and stored on racks (shown here) where they await the next step of the process: the spinning frame. It is there they will get their first taste of true twist.

Tomorrow, we’ll make some plies.
Thank you so much for these pictures! I’m from that area but live in NYC now, and it’s wonderful to see the mill celebrated in this way. Harrisville is a pretty wonderful place. I love knitting with Shelter and knowing so much about where it comes from. Thank you!
Thank you for sharing in words and pictures your experience of yarn processing. It adds history and texture to the product. It provides a sense of history and depth! Thank you!
Wow, that “web” is beautiful! What an interesting look into the creation of your yarn. Thank you for sharing.
So cool! I love the yellow “web!”
oh! that “veil” of yarn! Its all so fabulous. I am totally loving thses posts.
thank you.
This reminds me of the “Mr. Roger’s Neighborhood” segment about where our milk comes from. Thanks so much for these wonderful posts. They are enjoyable and enlightening!
I’ve really enjoyed reading about the yarn making process!
I’m loving this series! Thanks so much for the great information and the awesome photos. I think I’ll go wind my Shelter!
Wow, this is fascinating! Thank you for your lovely photos and explanation of the process.
So you’ve broached the subject, and as a spinner I’ve gotta ask:
Will these gorgeous blended “batts” ever be available to hand spinners?
This is so cool…I hope there’s a video up on YouTube at some point…I’d be mesmerized watching it. Still all this makes me wanna visit and buy yarn!
This is exciting to read about. I love knowing how things work, so you’re feeding that part of my brain LOL.
Love this! It is so fascinating to see the process. Especially in such LARGE form for most of us that are used to our small drum carders!
This is incredible! I am naturally curious about everything, and I love these step-by-step posts with wonderfully illustrative photos. I am understanding so much more from them about how yarn is created and how it affects the behaviour of the fabric it is knitted into. I’m eager to continue the journey! Thank you!
Thanks for the transformation explanation and photos. Isn’t it amazing how the fiber holds together while being so delicate at the same time? I love seeing the whole process
Wow! What an interesting topic and fun process to read about. This really is educational and I love that you’re doing this. Thank you!
I love the yellow veil. Such an interesting process. You should write a book!!!!
This has been and is, so interesting. The pictures are wonderful…makes me want to reach out a hand and grab some of that gorgeously fluffy fiber as it goes by! I’d love to spin some up…but I can’t wait to see how they do that at the mill.
Excellent pictures. Very interesting. Thank you.
Gorgeous. Thank you for sharing a peek into the Shelter process. As a handspinner, I truly admire the capabilities of a production mill. I find it so fascinating!
Talia Christine
Jared, thank you SO much for sharing this process with us
I’ve been wondering about the difference in the processing between the Shelter and other yarns I’ve seen made, love watching it all come together through your photos.
Thanks!
oh my goodness, what a treat to be able to see what actually /happens/ in the mill– and how beautiful it all looks, too.
thank you so much, this is a wonderful series!
The journey continues. What an excellent explanation of the process of creating Shelter. Makes me love it even more!! Thank you
I love this series, Jared! Thank you for the beautiful text and photos.
I absolutely *love* seeing these images and learning about the process of this yarn! It certainly makes me feel more connected with it when I’m knitting, and just looking at it!
Thank you so much!
(also, Harrisville is an adorable place – I was able to swing by there over the New Year, inspired by wanting to see where my yarn came from of course!)
Oh my goodness… that box of gray fiber is amazing. Is there anyway I can get my hands on some? I’d love to spin it up on my spindle!
Thank you so much for this tour, I’m really looking forward to tomorrow’s post.
Unlike when one finds out how a magician performs his illusions, this behind-the-scenes tour only adds to your particular brand of magic! Thanks so much, Jared!
Wow. Thank you so much for these posts. I’m really enjoying learning about the process of making yarn.
Hey Jared,
I’m really enjoying the virtual/photographic tour of Harrisville Mills and the production of Shelter yarns. Thanks for sharing with us all.
I do have some questions/confusions that I hope you can answer/clear up.
I always thought the carding produced roving used to create woolen spun yarns. While combing produces top used for worsted spun yarns. Are these designations only for hand spinning? This is the first time I’ve heard the term roping. Very interesting.
Thanks again!
~Michael aka WonderMike
You know you could sell those fibers to hand spinners and they would be very happy