Shelter in "Embers"

I’m still on the path with these, but the jewel-like colors glowing in the lamplight were too seductive – you know I’m a sucker for a good yarn halo.

Loft in "Birdbook"

Loft in "Blanket Fort"

Have a great weekend!

For knitters in the London area, feel free to stop by the lovely Islington shop to see and pet our wools in person.

The kits include five hand-wound mini-skeins of Loft in colors and amounts corresponding to your chosen colorway. We’ve also included a physical copy of the Seasons pattern – an 8-page folio printed on saddle-stitched card stock. Kits ship in our signature BT packaging.

I remember falling in love with this banded colorwork motif when I visited Shetland in the Summer of 2010 and saw it on a pair of hand knit gloves that I purchased from one of the regional knitters there. I’ve since swatched it several times for different design ideas, and it finally found its home with this one.

I used this motif in much of my early experimenting with multi-colored stranded knitting from the Loft palette. When it was time to decide which colorway to use for the final sample – I just couldn’t pick one. It was there that the idea of the “Seasons” were born. The four final versions were inspired by color families from each season.

We hope to expand our kit offerings later this year with more colors and more projects – it’s a fun variation on yarn ordering, not to mention a great gift idea for those die-hard knitters in our lives. (We’ve even had some of our own staff members clamoring for them…)

We hope you like them – happy kitting!

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Resources: Seasons Hat kits are available for purchase on our web site here. Hat design by Jared Flood. Packaging and printed pattern are printed/produced in the US. 

Inversion is a 2-way garment, meaning it can be worn right side up or upside down, depending on the fit preference of the wearer or the specific wardrobe context. The photos below show the cardigan on the dress form in both styles. The actual shape of the garment pieces couldn’t be simpler, as you’ll see below. I find the garment appealing both conceptually and stylistically, which is oftentimes a rare combination!

I’m always inspired by Japanese garment design and Origami – the Japanese art of paper folding – both of which were obvious influences as I composed this pattern.

When I’m working with a new-to-me shape, or wanting to experiment with a garment idea before committing to the full-size version of the design, I sometimes knit a half-scale model. Think of it as a dress rehearsal for a performance, or the trial meal you make the night before a dinner party to test out a new recipe (am I the only person who does this?). In the photos below you’ll see the original half-scale version on my half-scale dress form.

I knit the miniature with Shelter in Nest. (Generally it’s a better idea to work a half-scale garment in a yarn approximately half the weight as your target working yarn, but I started this little baby on the road and only had Shelter on hand.)

I’ve included a schematic diagram below to illustrate how the cardigan comes together as 2-dimensional shapes – you might be surprised to note that it’s merely two rectangles of differing lengths attached along their sides. The black circles and curved dotted lines indicate the parts of each piece that are joined to form the armholes. The small hash marks indicate areas that are mattress stitched during finishing.

You’ll notice that, though the garment is constructed as two rectangles, my pattern is written for three pieces (A, B and C). I wanted Pieces A and B to be perfect mirror images of each other so that the ribbed band that runs up either side (and the ribbed trims at the base) were perfectly symmetrical as the garment is worn. After completion of each piece, A and B are joined along the Graft Line, then Piece A/B and Piece C are blocked separately, to confirm their exact dimensions, before seaming all pieces together. To finish, ribbed bands are worked around each armhole.

The main portion of the garment fabric is simple stockinette, but the rib-like trim pattern is a motif that I’m presently enamored with. It’s a 2×2 garter rib where all knit columns are slipped every other row. The resulting motif is both firm and squishy and makes a great frame for the cardigan. It also lies completely flat, unlike true ribbing, so as not to distort the shape of the garment in any way while worn. (The half-scale version was trimmed with regular rib, which causes some subtle curves to the shapes as a result.)

Due to the slipped stitches within the garter rib pattern, the row gauge of the fabric is substantially different than the row gauge of the Stockinette areas. To reconcile these differences, the wide front bands of Pieces A and B are knit separately from the Stockinette sections (more rows must be worked to get fabric of the same length). These portions of A and B are seamed with Mattress Stitch during finishing (also shown with hash marks in the schematic above.)

It’s a fun design that very much pleases my grid-loving brain and may offer a nice change of pace from more traditional garment knitting, if that’s what your knitter’s heart is craving. The garment’s versatility gives it a throw-it-on-and-go nature that I value whenever buying or making clothing. For those of you who knit this one, I hope you enjoy it!  –Jared

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Today we’re happy to introduce Spring Thaw: a collection of 17 designs for knitting from Winter to Spring.

When the three of us first started knocking around ideas for this group of patterns, colorwork was a unanimous source of inspiration for all. This was also our first chance to create a collection while having access to the full BT yarn palette from day one. Our initial run of Loft was in production in Harrisville as we completed most of the work for The Loft Collection (November ’11), so our color choices were limited, particularly for any multiple-color designing.

This time, though, we were free to explore and combine colors at will. And so we did.

Colorwork knitters, you’ll find plenty of projects here – both small and large – to keep your stranding fingers busy. That being said, we’d be remiss if we didn’t include a decent dose of cables, lace and stockinette too…

It was quite a mild Winter, especially here in the city. I think most of us are giving up hope for any 11th hour snowfall, especially now that the Spring blooms are beginning to peak through the soil. We thought a collection for this transitional time of year would be a fun idea, and while that was certainly a factor in our design process, we think many of these designs are great for year-round knitting!

We’ve created another of our digital Look Books to indulge you with extended photography of the designs – we hope you’ll steal a couple of minutes today to give it a look! Click “Expand” below to view full-screen in your browser, or click here to view on our web site. (Or maybe a PDF file to take along with you? That’s here.)

Though it’s warming outdoors a bit, we’re definitely still enjoying our evening knitting. A very happy Spring to everyone, with all our best!

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Resources: All 17 patterns in the collection are available now as digital downloads on our web site here. Our Wyoming-grown wool yarns are available for purchase here. Download a free PDF version of the Look Book here.

The patterns in this collection were created by the members of our in-house Design Team: Jared Flood, Leila Raabe & Michele Wang. 

Yarns made from paper, stainless steel, silk, wool and copper – in a gorgeous tonal palette. Inspirational, indeed!

These images feature the overgrown railways of Communipaw Station, which is nestled on the edge of the Hudson and overlooks Ellis Island, the Statue of Liberty and downtown Manhattan, from the Jersey side.

The historic station building is a gorgeous brick structure that was built in 1889. The tracks you see in these photos were in regular service until April of 1967, at which time their use was suspended.

The station is now part of Liberty State Park, which opened in the mid 70′s and encircles the riverside station with 1200 acres of park land. Today, the station functions as a Ferry Terminal for tourists to Ellis and Liberty Islands – the nearby tracks remain a mere vestige of the past. I think they are incredibly beautiful and a great hidden treasure of the city.

We were humbled by the response to our first issue’s release in August, and have had a blast putting together a sequel to that collection. The new issue features work from 14 diverse talents from our industry – all of whom have been an honor to collaborate with.

As with our first volume, we shot for a balance of project types and skill levels in hopes of curating a group of patterns that is accessible to a wide range of knitters. We’re also thrilled that our roster of designers spans such an inspiring range: from long-time industry celebs to exciting break-out talent.

It was our first really cold photoshoot of the year, but it’s always worth braving the chill in the name of the pearlescent light that only Winter can deliver. Having woolen knitwear as your subject matter is certainly helpful, and our models were glad for it!

We invite you to sit down with a mug of something warm and flip through the pages of the Look Book to get to know the new collection. You can view it from right within your browser by clicking “Expand” below, or download the PDF version for on-the-go viewing later.

The patterns are all available as digital downloads through our website – with a portion of every pattern sale going directly to the designer for the lifetime of each design. 

We thought this was a great way to kick off the beginning of a new year, and hope you find something to keep your fingers contented as we head deeper into Winter.

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RESOURCES: Patterns from Wool People Volume 2 are available here. Yarns for each project are available here. View the Look Book on our website, or download the PDF version to your computer, tablet or mobile device.