Archives for category: SHELTER

This week I’ll be spotlighting some of the patterns from the Wool People 5 release to better acquaint you with some of the details about the patterns that may not always be apparent from photos alone. Today – the Reverb Cardigan by Tanis Lavallée:

Tanis hails from beautiful Montreal, Canada, and has a knack for garments that are stylish, smart, and fun to knit. Canadians really have a way with sweaters.

Reverb is worked seamlessly as a top down raglan – which is a great way to make a sweater, especially for knitters who don’t enjoy finishing. The obvious benefit of knitting garments this way is the ability to try on as you work – a great advantage when customizing the sleeve and body lengths of your individual garment.

Though the cardigan has no waist shaping, the slimmer fit is achieved with a relatively low amount of ease (+1-3″, shown on the model with +1″ of  positive ease).

The zigzag cables reflect (“reverberate”) across the cardigan opening; on the back they combine to create a mirrored panel of diamonds. The cables are simple to work, but have a great effect in their overall combination.

This is a great project for both fledgeling and seasoned sweater knitters alike!

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Resources: Reverb is available as a PDF download at Brooklyn Tweed or Ravelry. The pattern is knit with Shelter yarn, shown here in color Hayloft.

Next up on the “designs published last year” list: a pair of colorwork house socks designed for Clara Parkes’ third book The Knitters Book of Socks. If you’re not familiar with Clara’s books, I strongly recommend all of them, particularly if you are interested in learning about wool properties or yarn construction.

As many of you know, I’m not much of a sock knitter – I’ve never been seized by the fever, though I do find them entertaining to knit every once in a while. This was my first go at actually designing a pair and I had a great time doing it.

 

 

You may recognize the motif & color combination as a companion design to the Strago Mittens (Fall 2010). Sometimes when I get an idea in my head, just one design isn’t enough and I like to continue exploring further applications. In this case I thought the graphic patterning of the mittens would suit a pair of warm, stranded socks perfectly (herringbone hound that I am).

 

 

I remember now – this was the first design commission I did when developing Shelter. The two colors – Fossil and Long Johns – were, at the time, the only two colors from the palette that I had on hand at my studio (these were the very first two colors the mill produced). I took this as a sign that a companion sock to the mittens should happen.

 

 

The socks are worked from cuff to toe and utilize a short-row heel. The ribbed cuff, heel and toe are worked in a solid color, while the rest of the sock is worked in a graphic, 2-color chevron pattern. I think these would look great in a more subtle, tonal colorway as well. (Greys anyone?)

 

 

Shelter is by no means a sock yarn – and it doesn’t claim to be – though I’ve knit a couple of pairs that I wear in the winter to keep my feet warm around the house, and it does the job wonderfully. I think of them more like slippers than socks. The double-thick fabric of colorwork makes these particular socks more durable than a plain stockinette pair, and that much warmer.

 

 

As for the rest of the book – it’s packed with great sock patterns! Some of them were enough to get me considering trying a pair or two…though I’m wary of going down the sock yarn rabbit hole to do so! Many knitters have never returned.

I hope you enjoy these, along with the rest of Clara’s informative, well-written homage to knitting for our feet.

 

In the past few months, I’ve had a couple of designs published in books that I have yet to share here on the blog. The first of which is the Alpine Tweed cardigan, as featured in Ann Budd’s new book The Knitter’s Handy Book of Top Down Sweaters.

This book is a sequel to Ann’s wildly popular Knitter’s Handy Book of Sweaters, which was published in 2002 and acts as a sort of sweater recipe book for various styles and gauges of yarn. With her new book, Ann set out to create a companion handbook for garments that are worked from the top down (from collar to hem). The top-down knitting experience is fun and has some great advantages, like being able to try a garment on as you work in order to execute exact sleeve and body lengths.

Ann asked 4 designers to each create a garment for the various yoke styles outlined in the book: Raglan, Saddle-Shoulder, Set-In Sleeve and Round Yoke. Alongside my garment are designs from fellow BT Design Team Member Véronik Avery, Wool People 1 contributor Ann Hanson, and my dear friend Pam Allen. Ann has also designed several sweaters in each style. What good company!

My assignment was the set-in sleeve – an architecture that begins with the fronts and back of the garment yoke being worked separately down from the (shaped) shoulder seam to the underarm, where they are joined into one piece and the rest of the shaped body is worked seamlessly to the hem. The top-down sleeves – which are picked-up and worked directly from the armholes – begin with short rows to complete the set-in cap shaping. After completion of the cap, the sleeves are worked in a traditional circular fashion, shaped with decreases to the cuff.

The design features a fitted, hourglass waist, stranded colorwork yoke and body trim, three-quarter sleeves and a contiguous ribbed trim that tackles the body hem and button band in one fell swoop. The trim also features increased miter lines at the corner turns as well as a Tubular Bind Off, worked in a contrasting color. The ribbed collar is a subtle ribbed crescent – also shaped with short rows – higher at the back neck than at the front.

The design is knit with Shelter in colors Soot (sweater color), Sweatshirt and Homemade Jam (colorwork/trim colors).

I wanted to create a garment with a classic silhouette and plenty of subtle details. It was a fun experiment for me since I haven’t done too much designing with a top-down set-in sleeve construction. It’s always good to change things up and try something new!

 

You may have noticed a cloak of silence shrouding BT in the last month. Summer is funny like that. For knitters it’s a hard time that we ride out with hope for chillier temperatures, but behind the scenes it always becomes the most chaotic time of the year as we busy ourselves with big Fall surprises. This year we’ve got a lot of things up our sleeve; a few large-scale projects that have swirled us into their summer vortex.Thankfully, today we  are finally ready to release the first of our Fall concepts.

It’s been almost a year since the launch of SHELTER. I remember well all the planning, waiting, nerves, & excitement that accompanied the months leading up to that release – but probably most of all, how I couldn’t wait to get to designing with a yarn that really spoke to me. And as I began (and continue) my own creative work with the yarn, I found myself beginning to wonder what this wool might inspire in the hands of other Creatives whose work I have admired from afar.

This simple curiousity became the basis for WOOL PEOPLE: a semi-annual design series curated by Brooklyn Tweed, the first installment of which we are happy to release just in time for high knitting season.

For this first collection of patterns, I sought out designers both near and far whose work – which comprises its own wonderful variety – I have long watched and admired. My plan: arm them with a healthy dose of wool and see what happens.

The process was so rewarding. We were able to work directly with each designer, discussing their ideas and sketches to construct a collection that we think will appeal to the sensibilities of our readers, and will welcome Fall in the best way knitters know how. The creative dialogue that is at the heart of this series has been invigorating – a welcome contrast to the virtual solitude I was in just a year ago!

Our first group of Wool People has been a joy to work with. Some of their names you may recognize, others you may not, but in all cases I hope there will be something for everyone to enjoy.

We’ve put together a beautiful Look Book for this collection, highlighting all the designs with full color photographs, as well as providing readers with information about our Guest Designer Team. To get the best feel of the whole collection, we encourage you to take a look!

Each design in the collection is available now as a PDF download at Brooklyn Tweed or on Ravelry.

As the publishing world continues to change rapidly, designers are working differently. Having designed independently for some time now, I see the problems that designers face in this industry every day. We’ve worked hard to put together a model that compensates designers fairly (and gratefully!) for their work. Starting today, a portion of all proceeds from digital pattern sales will always go directly to the individual designer for the life of the pattern. In the spirit of collaboration, each designer also retains the rights to their own work. We plan to continue developing this model in future WP collections to best serve those people who have made this project possible.

It’s been a hot summer and we here at Brooklyn Tweed HQ are certainly daydreaming of Fall’s arrival. I hope some of the designs and photographs featured today inspire you to do the same (if you weren’t already!).

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Resources // The Wool People Volume 1 Look Book is viewable here. Pattern collection is available on BT here and also available on Ravelry here. All designs in this collection are knit with Brooklyn Tweed SHELTER, available here

I’m happy to announce that we finally have shade cards available for Shelter! As of today, they are available to order through our website.

Ordering yarn online is fun – but we all know the feelings of deflation that occur when the color that arrives on your doorstep is slightly different from what you anticipated. Shade cards help ward off that experience by letting you see the full palette of a given yarn in person prior to purchase. Over the years I’ve collected quite an impressive library of them myself (sometimes I get them out for inspiration on dreary days). They’re such a luxury to have on hand, especially when planning for projects.

If you’ve wanted to order some Shelter, but were wary of trusting your monitor, these should help – and they always ship free. Enjoy!

I’ve been Short Row crazy these past few months. They seem to be making their way into a lot of designs, and I love how many different ways they can be used. Short Rowing is one of those techniques with endless possibility that can turn the simplest projects into something special. Today’s pattern is a great example of this.

I really love the simple rhythm and bold texture that comes from knitting welts. Whenever I see a welted scarf or cowl in the wild, more often than not I find myself wanting one too. I wanted to put together a welted accessory that had a little something extra that might sneak up on you… that you may not notice upon first glance. Something that would make the knitting process slightly more adventurous as well.

Enter short rows. In the photo above you can see how the use of short rows skews the welts in the center to lay diagonally across the rhythmic horizontals. It was just the thing to spice up an otherwise repetitive bit of knitting (though you know I have a special place in my heart for The Mindless too.)

The cowl pattern is written for three sizes – shallow, medium and deep versions. The medium version is shown here. Wet-blocking is an important ingredient in this pattern, to achieve the proper drape and behavior from the fabric. Unblocked welts create a somewhat stiff and structured fabric that looks more like a tube – great for some things, but a little too rigid for a cowl with that effortless look. Wet blocking this and stretching it vertically helps the fabric relax and take on a wonderfully cozy hand, while simultaneously making the welts more visually appealing and the short rowing more obvious.

It’s a great little gift to to use as Short Row practice. I’ve made a couple of them myself using my favorite method, Japanese Short Rows, which are so clean and tidy they give me more secret delight than most things do.

Resources: The Setzer pattern is available as a downloadable PDF through Brooklyn Tweed or Ravelry. Yarn for this project is available here; sample shown was knit up with Brooklyn Tweed SHELTER in the “Wool Socks” colorway.

I’m thrilled to introduce a new mens sweater pattern today. The Brownstone Pullover has been a long time coming – I finished it in late Fall but have only recently been able to clear my head enough to put it through the pattern-creation gauntlet. The benefit of its long shelf-life, I guess, is that the garment has gotten a lot of field-testing. I could barely stop wearing it this winter. It works wonderfully with a collared shirt and wool jacket or overcoat.

The sweater is a classic style with a ribbed shawl collar worked from a deep rectangular neck opening. Raglan shaping makes for a nice fit in the shoulders while still remaining comfortable and casual. It’s a great garment for layering into various wardrobe combinations and more importantly, it’s fun to knit.

The sweater is worked seamlessly, in the round, from the bottom up. The collar is picked up directly from the completed body and shaped using short-rows, making the entire garment a one-piece construction.

The wooden toggles and twisted cord button loop details add a special touch and look wonderful with Shelter. The sample shown here was knit in our Woodsmoke heather.

The pattern is written for sizes S-XXL and recommends 3-5 inches of positive ease. I almost always have a stockinette-based garment project somewhere in my knitting baskets, for those days when autopilot knitting is required. I think this is a great project for that spot, while maintaining just enough detailing to keep it from monotony.

I hope you enjoy it!

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Resources: Pattern is available through Brooklyn Tweed and Ravelry. Shelter yarn is available here.

A short post on this Monday morning to offer some visual inspiration at the beginning of your week.

It’s been more than 2 years since the release of Girasole and it’s been one of my favorite projects to watch during that time. There have been so many beautiful versions that I’ve seen in my travels and on Ravelry in so many different yarn weights, colors and fiber blends – what a completely special experience that has been.

So revisiting this pattern recently at BT Headquarters has been deeply satisfying. This version was knit with 12 skeins of Shelter in our Hayloft colorway. I love how the piece turned out. Same size as the original, but lighter-weight and with a slightly lacier quality.

I shot the new version in snowy Harrisville on my last trip up there. Such a wonderful location for a photoshoot.

Here’s wishing you a great start to your week!

Resources: The Girasole pattern is available here or here.  Yarn is available here.

Our yarn has come a long way from its original state as scoured wool. The construction is now complete and only a few finishing touches remain. The yarn must now be removed from the bobbins in 50-gram (140 yard) increments to create individual skeins. The skeining machine (which unfortunately eluded my camera) is set for a certain number of rotations (pre-measured based on that specific yarn’s yards-per-gram ratio) which wind off consistent, exact amounts for each skein.

The 50-gram skeins are placed in a plastic lined box and sent along for a final wash. In order to remove residual spinning grease as well as ‘block’ the finished  yarn (e.g. brainwash the wool to its new identity), it is important that each skein is washed before it leaves the mill. Equipment-wise, the washing method is no different than running a load at your own home.  All finished yarns are gently washed in (packed-to-the-gills) regular-sized domestic washing machines. The difference between a washed and an unwashed skein of milled wool can be rather astounding. In the case of woolen yarns it seems to transform the weight significantly as the fibers relax and fully bloom.

After a trip through the washing machine, the skeins are hung evenly along a wall of drying racks. Here they they will sway in front of a brigade of rotating fans which speed drying-time remarkably (I use this same trick at home when wet-blocking garments).

The drying wall is enough to make most of us yarn-folk woozy with delight. All that lofty wool swaying gently in the breeze… to say nothing of the sweet, sweet wool fumes wafting through the air.

When the wool is completely dry, it is hand-twisted into hank form and whisked off towards the labeling station.

Lucy (The Saint) labels each and every skein by hand, making sure each one is properly placed and affixed with an adhesive tag that designates a specific skein’s color name and lot number.

When the yarn looks like this, it is ready for its entrance into the Wide World. Each labeled skein is bagged (10 skeins together, organized by color), loaded into freight boxes, and finally shipped to our warehouse in Portland, Maine. The warehouse is one of our team’s nerve-centers: from here we fulfill online orders and ship larger amounts to Flagship stores. Each yarn’s story beyond this point is different, and we hope they bring tactile pleasures to knitting hands wherever they end up.

I hope you’ve enjoyed getting a taste of what happens behind the scenes to create and spin Shelter.  As I mentioned in my first post, such a magical process deserves to be shared. This experience may even inspire you to seek out a mill and witness this magic in person. In my own experience with mills in both America and Europe, owners and employees are generally very proud of their work and love to share that joy, either through tours or a general eagerness to discuss yarn making. My wish is that we begin to see more US production being done in support of our own mills, before they’re gone. Thanks for joining me!

Yesterday we ended with a fresh batch of singles loaded up onto bobbins.  Because Shelter is a 2-ply yarn, the next step obviously involves plying, but before that can happen these babies get a trip to the Wool Sauna.

A proper steaming of the yarn in its current form is necessary before plying begins. Steaming saturates the fibers with moisture, causing them to relax and accept their new identity as twisted plies. Before steaming, the (newly given) tension in each ply is fighting to unravel.  Much in the same way a good blocking makes everyone’s knitting look better *cough*, the same principle applies here.  Wool always behaves better after a bit of moisture sets it straight.

The bobbins are placed in a metal rolling cart that is covered with small holes.  These holes are necessary to allow steam to pass through the cart and effectively reach all the bobbins inside.  Above you can see one of these “sauna” carts full of finished yarn.  While the ‘Fossil’ yarn shown here is a few steps ahead of us at our current stage of the tour, I wanted to give you a good shot of the carts used for steaming.

After the wool’s trip through the sauna, the bobbins are ready to be loaded onto the twisting frame (more simply referred to as “the twister” at the mill) and plied into a final 2-ply yarn. The twister functions much in the same way as the spinning frame in that a flyer adds twist (in the opposite direction this time, to balance the direction of twist added by the spinning frame), moving the singles off of their current bobbins, plying them, and winding them onto new ones.

Pictured above on the left are all the bobbins with single plies being shuttled up and over the ‘tunnel’ and back down onto the twister (right).  While this machine is running, it requires at least one worker to constantly monitor all the bobbins concurrently, passing up and down the tunnel between bobbin racks and twister. This is a nerve-wracking job that takes precision and timing when loading on empty bobbins or fixing an occasional break in a given ply. This part of the mill is Sarah’s domain, and watching her work is fascinating. The thought of keeping that many things under control while the machinery is running makes my blood pressure rise. The mill workers are a really talented and wonderful bunch of people! (A funny side note: the metal structures running overhead and shuttling the plies to the twister are adjusted based on the height of the worker running the machine.)

When the bobbins on this frame are filled, the yarn has completed the milling process and moves onto the finishing stages — it is now very close to the form you’ll see on your doorstep, or in a yarn shop, but a few more things need to happen to get it ready for the spotlight.  It is with these finishing stages that we will conclude our tour tomorrow morning!

*The title of this post is a pun on New Hampshire’s state motto “Live Free or Die”, which I read and appreciate every time I cross the border on my way to the mill.