Archives for category: Original Patterns

 

Hitch was designed by Mercedes Tarasovich-Clark in Alabama and has a great casual elegance about it. The dolman shape means that the garment is made with two pieces (front and back, with sleeves integrated). If you look closely at the direction of the garter stitch on the cuffs, you’ll see that the sleeves are worked sideways as a result.

While swatching at the beginning of the design process, Mercedes fell hard for this cable – which she said reminded her of thick links of chain (our inspiration for naming the design) – and built the rest of the sweater as a suitable “frame” for it.

I think the proportions are great – the deep garter hem, the front-only panel of chain cables, three-quarter sleeves and a wide boat neck. The fabric is lightweight – worked in Loft at a relaxed gauge – which means it has that “easy to throw on” thing going for it, too.

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Resources: Hitch is available as a PDF download at Brooklyn Tweed or Ravelry. The pattern is knit with Loft yarn, shown here in color Tent.

The beautiful Moon & Stars crescent shawl was also created up north – designer Shui Kuen Kozinski lives in the Boreal Forest of Canada and gave me the impression of being something of a sage as we walked through her design process together.

When Shui Kuen submitted her design proposal, she shared that she is often inspired by poems & stories. In this case, “The Moon, the Stars”  by poet Sully Prudhomme who won the first Nobel Prize in literature in 1901 ”in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect”.

The shawl is worked from the top down using a gentle rate of increasing to create a wide, semi-circle shape. The welted section at top-center symbolizes the moon, while the two bands of gathered lace stitches that follow represent stars, large and small.

A very charming story of inspiration, don’t you think?

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Resources: Moon & Stars is available as a PDF download at Brooklyn Tweed or Ravelry. The pattern is knit with Loft yarn, shown here in color Old World.

Next up on the “designs published last year” list: a pair of colorwork house socks designed for Clara Parkes’ third book The Knitters Book of Socks. If you’re not familiar with Clara’s books, I strongly recommend all of them, particularly if you are interested in learning about wool properties or yarn construction.

As many of you know, I’m not much of a sock knitter – I’ve never been seized by the fever, though I do find them entertaining to knit every once in a while. This was my first go at actually designing a pair and I had a great time doing it.

 

 

You may recognize the motif & color combination as a companion design to the Strago Mittens (Fall 2010). Sometimes when I get an idea in my head, just one design isn’t enough and I like to continue exploring further applications. In this case I thought the graphic patterning of the mittens would suit a pair of warm, stranded socks perfectly (herringbone hound that I am).

 

 

I remember now – this was the first design commission I did when developing Shelter. The two colors – Fossil and Long Johns – were, at the time, the only two colors from the palette that I had on hand at my studio (these were the very first two colors the mill produced). I took this as a sign that a companion sock to the mittens should happen.

 

 

The socks are worked from cuff to toe and utilize a short-row heel. The ribbed cuff, heel and toe are worked in a solid color, while the rest of the sock is worked in a graphic, 2-color chevron pattern. I think these would look great in a more subtle, tonal colorway as well. (Greys anyone?)

 

 

Shelter is by no means a sock yarn – and it doesn’t claim to be – though I’ve knit a couple of pairs that I wear in the winter to keep my feet warm around the house, and it does the job wonderfully. I think of them more like slippers than socks. The double-thick fabric of colorwork makes these particular socks more durable than a plain stockinette pair, and that much warmer.

 

 

As for the rest of the book – it’s packed with great sock patterns! Some of them were enough to get me considering trying a pair or two…though I’m wary of going down the sock yarn rabbit hole to do so! Many knitters have never returned.

I hope you enjoy these, along with the rest of Clara’s informative, well-written homage to knitting for our feet.

 

In the past few months, I’ve had a couple of designs published in books that I have yet to share here on the blog. The first of which is the Alpine Tweed cardigan, as featured in Ann Budd’s new book The Knitter’s Handy Book of Top Down Sweaters.

This book is a sequel to Ann’s wildly popular Knitter’s Handy Book of Sweaters, which was published in 2002 and acts as a sort of sweater recipe book for various styles and gauges of yarn. With her new book, Ann set out to create a companion handbook for garments that are worked from the top down (from collar to hem). The top-down knitting experience is fun and has some great advantages, like being able to try a garment on as you work in order to execute exact sleeve and body lengths.

Ann asked 4 designers to each create a garment for the various yoke styles outlined in the book: Raglan, Saddle-Shoulder, Set-In Sleeve and Round Yoke. Alongside my garment are designs from fellow BT Design Team Member Véronik Avery, Wool People 1 contributor Ann Hanson, and my dear friend Pam Allen. Ann has also designed several sweaters in each style. What good company!

My assignment was the set-in sleeve – an architecture that begins with the fronts and back of the garment yoke being worked separately down from the (shaped) shoulder seam to the underarm, where they are joined into one piece and the rest of the shaped body is worked seamlessly to the hem. The top-down sleeves – which are picked-up and worked directly from the armholes – begin with short rows to complete the set-in cap shaping. After completion of the cap, the sleeves are worked in a traditional circular fashion, shaped with decreases to the cuff.

The design features a fitted, hourglass waist, stranded colorwork yoke and body trim, three-quarter sleeves and a contiguous ribbed trim that tackles the body hem and button band in one fell swoop. The trim also features increased miter lines at the corner turns as well as a Tubular Bind Off, worked in a contrasting color. The ribbed collar is a subtle ribbed crescent – also shaped with short rows – higher at the back neck than at the front.

The design is knit with Shelter in colors Soot (sweater color), Sweatshirt and Homemade Jam (colorwork/trim colors).

I wanted to create a garment with a classic silhouette and plenty of subtle details. It was a fun experiment for me since I haven’t done too much designing with a top-down set-in sleeve construction. It’s always good to change things up and try something new!

 

The minute September arrives it’s like an internal alarm goes off in my head. I think it must be a knitter thing, because most of the knitters in my life have the same impulse. Despite the lagging humidity of summer, the first month of Fall is here and it’s a change you can feel. We are ready to knit again in a serious way, and savor the perfect mix of color, temperature and light that Fall brings.

Today we celebrate the arrival of Autumn with a brand new design collection: BT Fall 12. This collection marks the one-year anniversary of the formation of our in-house design team at BT and the introduction of two talented new members to that team. I’m very excited to introduce the work of Véronik Avery and Julie Hoover – two seriously talented women who have been a blast to collaborate with. Together with Michele Wang, we’ve been working on this (and future) collections for months, but are thrilled to finally show you our first collaboration as a foursome.

We also bid a fond farewell to one of our original design team members Leila Raabe, who has gone on to to work full time as Operations Manager at BT (don’t worry, we still plan to bug her for a design here and there as her schedule allows!).

BT Fall 12 features wool sweaters aplenty, as well as a handful of accessories that are perfect for Fall knitting. We shot our 18-piece collection on the grounds of a beautiful sugar shack just outside of Montreal, Quebec – quite a fitting backdrop for classic wool knits!

The look book is now available for you to view below (or download the PDF here for viewing on your tablet or device).

Alongside the pattern collection, we also have exciting yarn news! The mill in Harrisville has been busy this summer, spinning up 15 new colors of Shelter; the expanded 32-color palette of custom-blended heathers now matches that of our Loft line. The new shades are shown below – oh, the possibilities!

I hope you’ll each have a great Fall – and that you find something here to enjoy. We’ve certainly had fun putting it together.

All my best,
Jared

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Resources
: All 18 patterns in the collection are available now as digital downloads on our web site here. Our Wyoming-grown wool yarns are available for purchase here. Download a free PDF version of the Fall 12 Look Book here.

 

You may have noticed a cloak of silence shrouding BT in the last month. Summer is funny like that. For knitters it’s a hard time that we ride out with hope for chillier temperatures, but behind the scenes it always becomes the most chaotic time of the year as we busy ourselves with big Fall surprises. This year we’ve got a lot of things up our sleeve; a few large-scale projects that have swirled us into their summer vortex.Thankfully, today we  are finally ready to release the first of our Fall concepts.

It’s been almost a year since the launch of SHELTER. I remember well all the planning, waiting, nerves, & excitement that accompanied the months leading up to that release – but probably most of all, how I couldn’t wait to get to designing with a yarn that really spoke to me. And as I began (and continue) my own creative work with the yarn, I found myself beginning to wonder what this wool might inspire in the hands of other Creatives whose work I have admired from afar.

This simple curiousity became the basis for WOOL PEOPLE: a semi-annual design series curated by Brooklyn Tweed, the first installment of which we are happy to release just in time for high knitting season.

For this first collection of patterns, I sought out designers both near and far whose work – which comprises its own wonderful variety – I have long watched and admired. My plan: arm them with a healthy dose of wool and see what happens.

The process was so rewarding. We were able to work directly with each designer, discussing their ideas and sketches to construct a collection that we think will appeal to the sensibilities of our readers, and will welcome Fall in the best way knitters know how. The creative dialogue that is at the heart of this series has been invigorating – a welcome contrast to the virtual solitude I was in just a year ago!

Our first group of Wool People has been a joy to work with. Some of their names you may recognize, others you may not, but in all cases I hope there will be something for everyone to enjoy.

We’ve put together a beautiful Look Book for this collection, highlighting all the designs with full color photographs, as well as providing readers with information about our Guest Designer Team. To get the best feel of the whole collection, we encourage you to take a look!

Each design in the collection is available now as a PDF download at Brooklyn Tweed or on Ravelry.

As the publishing world continues to change rapidly, designers are working differently. Having designed independently for some time now, I see the problems that designers face in this industry every day. We’ve worked hard to put together a model that compensates designers fairly (and gratefully!) for their work. Starting today, a portion of all proceeds from digital pattern sales will always go directly to the individual designer for the life of the pattern. In the spirit of collaboration, each designer also retains the rights to their own work. We plan to continue developing this model in future WP collections to best serve those people who have made this project possible.

It’s been a hot summer and we here at Brooklyn Tweed HQ are certainly daydreaming of Fall’s arrival. I hope some of the designs and photographs featured today inspire you to do the same (if you weren’t already!).

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Resources // The Wool People Volume 1 Look Book is viewable here. Pattern collection is available on BT here and also available on Ravelry here. All designs in this collection are knit with Brooklyn Tweed SHELTER, available here

Last week Véronik Avery released the third installment of her wonderful St. Denis magaizine to coincide with the launch of her new web site. I designed a mitten pattern for the magazine with Veronik’s fingering-weight wool Boreale.

It has been almost a year since I made these, so it was a fun reminder when I saw the magazine had been released… though I had to do some digital spelunking to find the photos in the cavernous system of knitting folders on my computer.

These sweet little mittens have a geometric colorwork pattern adorning the cuff and transition into a Norwegian ‘lice’ pattern (the traditional name) for the hand. I really love the high-value-contrast color combination; it plays up the graphic quality of the patterning and makes the floating ‘lice’ stitches pop.

The cuff is lined – approximately three quarters as deep as the colorwork cuff motif – and turns with a Picot hem, adding a touch of playfulness to this traditional aesthetic. (Options for a non-picot hem are provided if you’re more of a clean, purl-row-hem-only type of knitter.)

Congrats to Véronik on another beautiful magazine, and the launch of her new site!

RESOURCES // The Northlight Mitten pattern is included in St. Denis Magazine Issue 3, available here. Boreale yarn is available here.

I’ve been Short Row crazy these past few months. They seem to be making their way into a lot of designs, and I love how many different ways they can be used. Short Rowing is one of those techniques with endless possibility that can turn the simplest projects into something special. Today’s pattern is a great example of this.

I really love the simple rhythm and bold texture that comes from knitting welts. Whenever I see a welted scarf or cowl in the wild, more often than not I find myself wanting one too. I wanted to put together a welted accessory that had a little something extra that might sneak up on you… that you may not notice upon first glance. Something that would make the knitting process slightly more adventurous as well.

Enter short rows. In the photo above you can see how the use of short rows skews the welts in the center to lay diagonally across the rhythmic horizontals. It was just the thing to spice up an otherwise repetitive bit of knitting (though you know I have a special place in my heart for The Mindless too.)

The cowl pattern is written for three sizes – shallow, medium and deep versions. The medium version is shown here. Wet-blocking is an important ingredient in this pattern, to achieve the proper drape and behavior from the fabric. Unblocked welts create a somewhat stiff and structured fabric that looks more like a tube – great for some things, but a little too rigid for a cowl with that effortless look. Wet blocking this and stretching it vertically helps the fabric relax and take on a wonderfully cozy hand, while simultaneously making the welts more visually appealing and the short rowing more obvious.

It’s a great little gift to to use as Short Row practice. I’ve made a couple of them myself using my favorite method, Japanese Short Rows, which are so clean and tidy they give me more secret delight than most things do.

Resources: The Setzer pattern is available as a downloadable PDF through Brooklyn Tweed or Ravelry. Yarn for this project is available here; sample shown was knit up with Brooklyn Tweed SHELTER in the “Wool Socks” colorway.

It seems like Spring has been battling its way onto the scene in fits and starts for weeks. Despite a few bizarre instances of April snow recently, the warmer air seems to finally be sticking. It’s a perfect time to think about some serious lace knitting, and today’s pattern fits the bill nicely.

The Rock Island Shawl is a piece that I designed for a special collaborative project. Last year, the nice folks at Lorna’s Laces invited me to be a part of their ongoing Color Commentary Series, in which designers are given free reign to develop a new colorway for LL yarns.

At the time, I had a very specific deep black-violet on the brain and wanted to pursue that. The original color inspiration came from some wonderful graffiti that I saw on Grand Street in Brooklyn that used heavy swaths of rich indigo and black. We worked back-and-forth for weeks and finally ended up with the finished colorway (shown above), which I’m thrilled with.  I’ve named the color Grand Street Ink, after its original inspiration, and it is now available in their wide range of yarns.

I chose to design for the color with Helen’s Lace, a fine laceweight  50/50 wool-silk blend. The silk took the dye beautifully and the finished fabric of the shawl is almost veil-like.

The piece contrasts simple garter stitch with intricate Shetland lace motifs which are worked on both RS and WS rows, also over Garter Stitch. As a result, the shawl is completely reversible – both sides look the same. The triangle is worked backwards from standard construction, beginning first with the knitted edging. After the lace edging is worked, stitches are picked up from a yarn-over-selvedge along the straight edge and the main portion of the triangle is worked directly from those stitches. This means the most labor-intensive elements of the shawl are completed first, and pattern rows get smaller as you go, which is always a nice psychological bonus.

I think the design would look wonderful in fingering weight yarn as well… I may have started one already.

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Resources: The Rock Island pattern is available through Brooklyn Tweed or Ravelry. Brooklyn Tweed’s “Grand Street Ink” colorway is available at Lorna’s Laces.

My Cinder Scarf pattern, which appeared last year in a Classic Elite pattern publication, is now available for individual PDF download. If you wanted to knit it but couldn’t justify a whole booklet purchase, the PDF is available now via Ravelry or Brooklyn Tweed.

This is a quick knit (great for last minute gifts), and looks much more involved than it actually is.  If you can knit 2×2 ribbing, you’ll be able to crank one of these out in no time. The pattern calls for bulky yarn, but can easily be worked in other weights as well.

Happy weekend to all.

Resources: Cinder originally appeared here. The PDF version is available via BT or Ravelry. Yarn used for this sample is Classic Elite Ariosa.